February 18, 2026

Dance’s Dirty Secret: Kids Twerking into Trauma – DA:NCE Founder Mary Bawden Fights Back!

Mary Bawden

Dance’s Dirty Secret: Kids Twerking into Trauma – DA:NCE Founder Mary Bawden Fights Back!

The Shocking Survivor Story Driving Mary’s Mission (Can share Verbatim On-Air):

Jackie Jones

From the age of 12-16, I danced at a studio where I was hypersexualised, abused, and groomed. To begin it was things like inappropriate songs (britney spears Slave 4 u at 12, pussy cat dolls Buttons at 13 ect.) and costuming, which creeped into choreography (twerking, dry humping, wide legs dropping to the floor, inappropriate hand placements) and continued into comments such as “dance sexier” “give the boys a thrill” and “you would be a better dancer if you hurried up and lost your virginity” (age 13). This was, to us children, normal, and merely seen as a sign of having a ‘cool dance teacher’. We were often forced to change in large open rooms, with our dance teachers and classmates seeing everything. We were told to only wear G-strings to dance class, and it was encouraged to share with our dance teacher if and when we had lost our virginity. This normalisation of the topic of sex in the studio lead to the grooming of me and my friend, in which we were encouraged to ‘date’, kiss, and have sex. This was at the age of 15. Our dance teacher would tell stories of her sexual relationships and ask us if we thought about things like that, and often made us sleep in the same bed and lock the door when travelling for dance. As someone who made it very clear I was not interested in girls, It made me deeply uncomfortable, but also instilled deep fear in me, and made me question if I should partake in these activities to gain my dance teachers approval. The more scared we became, the more obedient we were, allowing her to conduct physical and emotional abuse on us (not quite sexual thankfully). Dance became a place of fear, manipulation, and abuse. I strongly believe that the normalisation of inappropriate choreography, costuming and music allows for the normalisation of abuse, it is a slippery slope. I hope with all my heart your organisation can help to protect these innocent children, and that more protection is put in place in the performing arts industry.

America’s children are being sexualized on stage – RIGHT UNDER OUR NOSES. Dance studios nationwide pump out hypersexualized “performances” forcing little girls into adult costumes, twerk choreography, and music that screams exploitation. The result? Traumatized kids primed for predators, skyrocketing mental health crises, and a generation robbed of innocence. Mary Bawden, MA – Executive Director & Founder of DA:NCE (Dance Awareness: No Child Exploited) – is the fearless whistleblower BLOWING THIS LID OFF.

Mary isn’t just sounding alarms – she’s the evidence-based expert (BA Modern Dance; published in Dignity Journal, LA Times contributor) leading the charge with:

Essential Links

From her viral LA Times op-ed to NRB exposés on “Cuties”-style scandals, Mary delivers CHILLING DATA + HOPEFUL SOLUTIONS. She’s booked via TruthPR, ready for your show to ignite parent outrage and policy change. This isn’t “dance evolution” – it’s child endangerment. Book her before the next recital scandal erupts.

Availability: Immediate. Topics: “Why Social Media Turned Dance into Porn,” “5 Signs Your Studio is Unsafe,” “Bipartisan Path to Protect Kids.”

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About the Author
Jackie Jones
Mary Margaret Bawden felt God call her into prayer-in-motion at fifteen years of age soon after she asked Jesus into her heart as her personal Savior. Although highly trained in ballet, she found herself attracted to the varied choreographic approaches found in modern dance. As a result, she received a B.A. in modern dance from UC Riverside in 1975; for a short time after graduation, she became the dance instructor for Crafton College as well as Mt. San Jacinto Jr. College in the Southern California area. The arrival of her 3 children in 1976, 1978 and 1981 followed and changed her priorities in movement until her children grew older. Soul to Sole Choreography placed in the non-professional finalist category of the highly acclaimed ‘Festival of the Stars’ choreography festival held in Palm Springs at the McCallum Theatre in 2002, 2003 and 2004. Shea New, the founder/director of the festival, stated that the choice for the fall festival finalists was ‘difficult due to the overwhelming amount of quality talent submitted.’ Choreography finalists included entries from Argentina, Florida, Texas, New York, Arizona, Nevada, San Francisco, San Diego and Los Angeles. Alongside the educational movement foundation for worship ministry, Mary has taught choreography and/or DA:NCE materials for the National Sacred Dance Guild Conference, the CAHPERD(California health, physical education, recreation and dance) dance workshop, the Saddleback Worship Conference, “Raise the Barre” as well as the State CDEA(California Dance Educator’s Association) Conference and the NDEO(National Dance Educator’s Organization) National Conference. In Redlands, California, God has used Mary’s love of prayer-in-motion to design scripture for women’s Bible studies, church services and Children’s Christmas musicals at her home church. Since 1995, the much of Mary’s time has focused on a book entitled ‘Dance is Prayer in Motion: Soul to Sole Choreography for Church Dance Ministry.’ The chapters include information on dance movement foundation, leadership, choreography tools, the 6-step choreography method, the rehearsal process, and a chapter for pastors who want clear expectations for setting up a dance ministry in their own church. Part of the written material also shares how God has given her a vision to structure movement groups so that everyone can learn how to choreograph with or without a movement background. In 2006, Mary furthered her education when she received a Master of Arts in Worship with an emphasis in dance from Hope International University in Fullerton, California. From Mary’s point of view, prayer-in-motion must be purposeful and conceptually clear. Of course, clarity also informs her passion to communicate the benefits of dance for children so that they are not hypersexualized with adult costumes, choreography and music. Her background includes a California secondary and junior college teaching credential as well as many years as an inductive Bible study leader. She has been involved with Bible Study Fellowship, Kay Arthur’s Precepts Bible Studies as well as women’s bible studies at Trinity Evangelical Church in Redlands, CA where Mary and her husband Richard attend.