Writer, producer, and director known for faith-driven, family-friendly films and series.
Founder and Chairman of Renaissance Women, an educational non-profit and production company providing international media training and internships.
Creator, writer, and director of the award-winning feature film “Life Fine Tuned,” winner of the International Family Film Festival in Hollywood and over 14 additional awards.
Writer, producer, and director of the new feature film “Jesus Freaks,” based on her own true story set during the 1970s Jesus Movement.
Executive producer and creator of the post-apocalyptic faith-based series “Daily Bread.”
Writer and producer of the award-winning documentary “Emancipation Revelation/Revolution” and its sequel “Reparations: Who Should Pay?” exploring race, history, and politics in America.
Associate producer on multiple independent films, including the historical adventure “Beyond the Mask.”
Founder of Renaissance Women Productions, mentoring emerging filmmakers and showcasing independent producers, directors, writers, and new musical talent.
Nina May is a writer, producer, and director whose work champions faith, freedom, and unapologetically countercultural storytelling. She is the Founder and Chairman of Renaissance Women, an educational non-profit and production company that mentors emerging filmmakers through international training programs and hands-on internships on film and TV projects. As head of Renaissance Women Productions, she has built an incubator for new talent, giving actors, writers, and crew opportunities to work on high-quality, independent, faith-forward content.
Her latest film, “Jesus Freaks,” is a dramatic feature based on her own true story of encountering the Holy Spirit during the 1970s Jesus Movement, set on a college campus amid cultural upheaval and spiritual awakening. The movie follows a hippy and a cheerleader whose relationship and faith are tested as they receive the baptism of the Holy Spirit and confront opposition from both religious and cultural establishments. Through “Jesus Freaks,” Nina aims to rekindle hunger for a deeper, Spirit-filled walk with Christ and to draw parallels between the original Jesus Revolution and today’s battles over faith in public life.
Nina is also the creator, writer, and director of the post-apocalyptic faith-based TV series “Daily Bread,” which follows a community grappling with a global blackout caused by a solar flare and is available on platforms including Amazon Prime, Tubi, Hulu, Roku, and more. She wrote, produced, and directed the family-friendly dramedy “Life Fine Tuned,” which won the International Family Film Festival in Hollywood and more than 14 additional awards. Her romantic comedy “First Lady,” starring Corbin Bernsen, Nancy Stafford, and Stacy Dash, blends presidential politics with royal charm and was featured at the Cannes Film Festival in 2022. She has also served as Associate Producer on the historical adventure film “Beyond the Mask” and created multiple shorts and festival films such as “Marked,” “Sweet Victory,” “Blondie,” “Elevator Pitch,” and “Re-Naissance,” earning multiple nominations and acting awards.
Beyond narrative film and TV, Nina wrote and produced the award-winning documentary “Emancipation Revelation/Revolution,” which examines the history of the civil rights movement and the role of both major political parties, along with its sequel “Reparations: Who Should Pay?” exploring the politics and implications of reparations. She has produced and hosted the TV show “An American Renaissance,” created series like “Just Horsing Around in Virginia” and “Renaissance Discoveries,” and written and voiced daily radio commentaries carried on up to 1,800 stations nationwide. Earlier in her career, she ran Nina May Design / Publications, specializing in congressional materials for over 150 offices, and served as publisher/editor of Paradigm 2000 and Renaissance Magazine, further cementing her reputation as a true media multi-hyphenate.
Often described as a “true Renaissance woman,” Nina brings together art, politics, and faith with a distinctive voice that challenges prevailing narratives and champions independent creativity outside Hollywood’s constraints. Through Renaissance Women Productions, she continues to “court the audience that Hollywood hates” by creating redemptive, values-driven content and by opening doors for the next generation of storytellers who want to marry excellence in craft with courage in message.
January 6th – “I Was There… And I Was Filming”
Firsthand account from Nina May, who was on the ground in Washington, D.C., documenting events as they unfolded.
Discusses what she witnessed versus what has been portrayed in mainstream narratives.
Raises questions about media bias, selective editing, and how history is being written in real time.
Explores why telling the “real story” matters for free speech, civil liberties, and public trust.
Emancipation Revelation Revolution
Her award-winning documentary exposing the hidden history of political parties and race in America.
Explores how the Black community has been courted, used, and often misled by political movements.
Challenges assumptions about who actually fought for civil rights, abolition, and equality.
Connects historical facts to today’s political alignment and voting patterns.
Critical Race Theory
Examines CRT as an ideology that divides people by race instead of uniting them around shared values.
Discusses how CRT reframes history, education, and law through a lens of permanent victimhood and oppression.
Raises concerns about its impact on children, classrooms, and national cohesion.
Offers a contrasting vision based on individual responsibility, forgiveness, and reconciliation.
Democrat Racism
Explores the historical and ongoing role of Democrat policies in fostering dependency and division.
Highlights often-ignored episodes of racism tied to Democrat leaders, laws, and institutions.
Argues that modern “anti-racism” rhetoric often masks power grabs and control, not true equality.
Invites a conversation about what real justice, opportunity, and dignity look like beyond party talking points.
“Jesus Freaks” is a dramatic, faith-based feature film from writer-director Nina May that tells a true-story-inspired tale of love, revival, and the power of the Holy Spirit during the 1970s Jesus Movement. Set in 1972 on a college campus during the height of the Jesus Revolution, the film follows a hippy and a cheerleader who fall in love and are swept into a world of spiritual awakening, supernatural encounters, and intense theological conflict. When the young woman receives the baptism of the Holy Spirit, she faces rejection from both her boyfriend and her pastor, exposing the clash between hungry, Spirit-led believers and the skepticism of establishment churches.
The story is based on Nina May’s own journey of meeting her husband and encountering the Holy Spirit, and it aims to rekindle viewers’ desire for a deeper intimacy with Jesus and a bold, public faith. Starring Braeden Sorbo and Ashley Hibbs, with Kevin and Sam Sorbo in key roles, the film portrays the Christian youth revolution that swept across America and hints at future persecution and tribulation in a powerful closing sequence. “Jesus Freaks” was produced by Renaissance Women Productions and Giannetti Films, shot partly in Florida and in Virginia’s Culpeper and Rappahannock counties with the help of local churches, and is now available to rent or buy on platforms including Amazon and faith-based streaming outlets.
Learn more, watch the trailer, or find viewing options at the official site: https://www.jesusfreaksmovie.com.
Could 2021 get any worse!?!
Yes, yes it could… How? Oh, I know, what if we got hit by a giant solar flare? #Daily Bread Series
Nina May’s production:
“Seven millennial women, armed with cookbooks and guns, after the world is darkened by a solar flare, choose to not just survive, but thrive as they work to rebuild civilization.”
After a solar flare strands 7 millennial women on a farm while shooting a cooking show, they decide to thrive as they work to rebuild civilization, not just survive like others around them. This faith based, post apocalyptic drama shows a generation, that is tethered to their devices, who are now forced to accept a new reality they have never experienced. Armed with nothing but cookbooks and guns, they must learn to work together, do what it takes to survive but agree that that is not enough.
The Sun is woke…. watch all 12 episodes
www.dailybreadseries.com
Writer/Director Nina May being interviewed on 103.1 WJMA’s show Local Issues, Real People
Related Article:
What happens to black Americans who choose to leave the liberal plantation on the underground railroad of self-determination and true empowerment? They are no longer judged by the color of their skin… but by the content of their character…
And the judgement is harsh.
As the nation is now divided — not along racial lines — but along issues of morality and values, racial discrimination has been replaced by philosophical discrimination. Martin Luther King’s dream has been realized — but not the way he imagined.Blacks in America are being judged by the content of their character, not the color of their skin, but the judgment is harsh if they embrace conservative philosophies.
This Special 2nd Edition of “Emancipation, Revelation, Revolution” plus bonus 24 minute sequel “Reparations: Who Should Pay?” that examines the history of slavery and racial discrimination in the United States.
Hooman Khalili is an Iranian-born, San Francisco–raised radio personality, filmmaker, and mural artist whose work bridges entertainment, faith, and “mural diplomacy” between the Iranian and Jewish peoples. Over two decades in media and a growing portfolio of high-impact public art, he has built a unique platform that connects Hollywood, Israel, and the global struggle for freedom in Iran.
Dr. Isik Abla’s story reads like a front‑page feature: a young woman raised in a strict Muslim home in Istanbul, trapped in a brutal marriage to an extremist, fleeing to America after a near‑fatal attack—and then transforming into a global broadcaster whose insights on Islam, Sharia, Iran, and religious freedom now inform audiences in more than 200 countries.
Drawing from his own experience on the front lines of persecution, he offers rare, first‑hand insight into how terrorism, corruption, and weak institutions impact ordinary families across Nigeria and West Africa. Franc’s work centers on elevating the voices of victims—especially women and children—while pressing governments, international organizations, and faith communities to confront atrocities with both courage and accountability.
Janice Trey is the national spokesperson for SafeMeet.us, a cutting‑edge encrypted communications platform designed to keep private conversations truly private. Drawing on her experience leading a major international media organization and exposing digital surveillance threats, she explains in clear, practical terms why Americans’ calls, texts, and video meetings remain vulnerable—and how SafeMeet.us closes those back doors.
Drawing on firsthand investigations in Benue, Plateau, Taraba, and Yobe states, he exposes the reality of organized “kill zones” where Christians are being driven from ancestral lands through mass killings, kidnappings, and terror tactics that mirror ISIS in the Middle East. Saul explains how Western governments and media have repeatedly misread this violence—hiding behind terms like “farmer‑herder clashes,” “banditry,” or “climate conflict”—and why that misframing fuels weak policy, ignores victims, and emboldens perpetrators of ethno‑religious cleansing.
Drawing on real stories and current trends, she exposes how social media, peer pressure, and easy access to fake pills are targeting teens and tweens who would never see themselves as “drug users.” In her compelling presentations, Anne lays out what parents don’t know about fentanyl—but must learn now—equipping audiences with practical questions, safety steps, and language they can use today to protect the kids they love.
